If you followed my works, you know that I like compact, single-file implementations of decoders for various media formats, and where such a thing doesn’t exist, I tend to write or at least port one myself. Now I’d like to add the third format to that list: Baseline JPEG images.
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The is no such thing as easter. There’s only Breakpoint.
Happy Breakpoint!

This 1984-inspired text is from one of the bigscreen slides from this year’s issue of world’s largest Demoscene-only party: Breakpoint in Bingen am Rhein, Germany. As every year, the party takes place during what non-sceners call the easter weekend. And as every year, some friends and I were there, too.
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I’m a happy user of the Fujifilm S9500 bridge camera since 2005, but lately, I noticed that it would also be really nice to have a second, smaller camera that I can take with me (almost) everywhere. This isn’t a problem in itself – there are countless compact point-and-shoot cameras at around 200 € on the market. However, most (if not all) of these suffer from too high resolutions and too small (1/2.5″) sensors. The days of the legendary F30/F31 with its large 6-megapixel sensor and unrivalled low noise are also long gone, so my »new camera« project was on hold for a long time. That was until february, when Fujifilm announced the release of its new compact F-series model, the F200EXR, based on the highly anticipated SuperCCD EXR sensor. After reading the first beta reviews and seeing the first example images, I immediately ordered the camera and it arrived just in time for my Paris visit, where I had the perfect opportunity to test the camera. Here’s what I found out.
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